![]() His victims include Lucy Westenra, who is on holiday in Whitby. Narrative Ĭolorized stills of Edward Van Sloan as Van Helsing confronting Bela Lugosi in Dracula (1931)Ĭount Dracula, having acquired ownership of the Carfax estate near London through solicitor Jonathan Harker, moves to the estate and begins menacing England. Van Helsing may have been inspired by characters from Sheridan Le Fanu's Carmilla (1871–72), including Dr Martin Hesselius, "who makes little comment upon the strange narrative he introduces", and Baron Vordenburg, "who has read 'all the great and little works' on vampires and who has 'extracted a system of principles' that govern vampire existence". In Stoker's 1898 introduction to the Swedish and Icelandic versions of Dracula, he writes from an in-universe perspective that "the highly regarded scientist, who appears under a pseudonym here, may likewise be too famous throughout the educated world for his real name − which I prefer not to mention − to remain hidden from the public, especially from those people who have learned firsthand to appreciate and respect his brilliant mind and masterly skill, though they no more adhere to his views on life than I do." In an 1897 interview in The British Weekly, Stoker said that Van Helsing was "founded on a real character". Seward requests Van Helsing's assistance simply because Lucy's affliction has him baffled and Van Helsing "knows as much about obscure diseases as anyone in the world". ![]() In the novel, Van Helsing is described as having what is apparently a thick foreign accent, in that he speaks in broken English and he uses German phrases such as "Mein Gott" (English: My God).Īdaptations of the novel have tended to play up Van Helsing's role as a vampire expert, sometimes to the extent that it is depicted as his major occupation. Letter From Dr Seward to Arthur Holmwood, chapter 9, Dracula Big, dark blue eyes are set widely apart and are quick and tender or stern with the man's moods. The forehead is broad and fine, rising at first almost straight and then sloping back above two bumps or ridges wide apart, such a forehead that the reddish hair cannot possibly tumble over it, but falls naturally back and to the sides. The face, clean-shaven, shows a hard, square chin, a large resolute, mobile mouth, a good-sized nose, rather straight, but with quick, sensitive nostrils, that seem to broaden as the big bushy brows come down and the mouth tightens. The head is noble, well-sized, broad, and large behind the ears. The poise of the head strikes me at once as indicative of thought and power. In chapter 14, Mina Harker describes him as:Ī man of medium height, strongly built, with his shoulders set back over a broad, deep chest and a neck well balanced on the trunk as the head is on the neck. Van Helsing is one of the few characters in the novel who is fully physically described in one place. Van Helsing's wife went insane from grief after their son's death, but as a Catholic, he refuses to divorce her ("with my poor wife dead to me, but alive by Church's law, though no wits, all gone, even I, who am faithful husband to this now-no-wife"). Consequently, Van Helsing developed a particular fondness for Holmwood. He says that his son, had he lived, would have had a similar appearance to Lucy's suitor Arthur Holmwood ("My heart bleed for that poor boy, that dear boy, so of the age of mine own boy had I been so blessed that he live, and with his hair and eyes the same"). It is Van Helsing who first realizes that Lucy is the victim of a vampire, and he guides Seward and his friends in their efforts to save Lucy. Van Helsing's friendship with Seward is based in part upon an unknown prior event in which Van Helsing suffered a grievous wound, and Seward saved his life by sucking out the gangrene. In the novel, Professor Van Helsing is called in by his former student, John Seward, to assist with the mysterious illness of Lucy Westenra.
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